
My friend Beth Kephart just sold a novel that she feared would never sell. Beth is a prodigiously talented, prolific, and award-winning author (not to mention a lovely person and a gifted photographer -- that's her photo, above), and I share her story, if only to prove that even very accomplished writers live with doubt -- and learn how to push through it. Here, in Beth's own words, is a short version of the happy story. It's from her blog, Beth Kephart Books, where you can follow the progress of her work, see her photos and learn a lot about life and writing.
"Several years ago, Laura Geringer wrote a most extraordinary note, inviting me to consider writing for young adults. Despite years spent teaching children and a stint as the chair of the 2001 National Book Awards Young People's Literature jury, this was not something that I felt I knew how to do. Nonetheless, I loved Laura's mind from the first, I loved our conversations, and we kept talking. We talked for almost a year until we finally met in person—Laura asking me questions on a rainy Sunday morning to which some combination of my personal history and imagination responded. Undercover emerged under Laura's great care. House of Dance was next. Nothing but Ghosts and a short story for the just-released HarperTeen anthology No Such Thing as the Real World were subsequent. Finally, Laura bought the early pages of The Heart of Not a Size, the Juarez novel due out from HarperTeen next March (and carried so ably forward by the delightful Jill Santopolo).
Laura left HarperTeen in August of last year, but our friendship continued. Today I am so utterly happy to announce that I'll be working with Laura again on an historical novel that is currently titled Dangerous Neighbors. It's a book that I conceived of several years ago, when writing Flow, my autobiography of the Schuylkill River. It's a book that Amy Rennert, my agent, wholly believed in. It's a book that went through several iterations and will, no doubt, again, for Laura asks exquisite questions, she pushes authors far, she sees, and—more than anything—she believes in literature and complex stories, in fiction that pushes boundaries.
I have the chance to work with Laura again because she has formed an alliance with a genuinely interesting publishing house called Egmont USA, an outgrowth of a publishing house with a long European pedigree. In making her announcement about Laura today, Egmont USA publisher Elizabeth Law noted that "her excellent taste, creative ideas and deep relationships in the field will be a perfect complement to our fast growing children's list."
Yes. Yes. And Yes.
A brief description of Dangerous Neighbors: It is the Centennial year in Philadelphia, and Katherine has lost her twin sister to an inconceivable accident. One wickedly hot September day at the height of exhibition madness, Katherine sets out to cut short the lonesome life she is no longer willing to live. This is the story of what happens.
1 comment:
Jennie,
Thank you for your wonderful words (and ever-dying support). I am thinking of how we met—-of your gift to me from the very first with words that graced a book I'd called Seeing Past Z.
So much seemed set against the book that I was writing. It is historical. It is lyrical. It is about time, love, loss, heart. In this year of economic downturn and publishing belt tightening, would someone be interested in a story such as that?
I didn't know, but I kept writing, rewriting, wanting to make this book right.
Perseverance. Yes. It is the only way, ever. And doubt is there—all the time.
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